I make pots that serve a purpose, guided by the belief that the more functional an object becomes, the more beautiful it can be. Through daily use, familiar objects become constant companions, gathering meaning through the rituals and memories attached to them.

My forms develop through attention to how we hold, use and experience an object: a flared rim that invites drinking, or a handle pulled directly from a mug to sit comfortably in the hand. Hand-mixed glazes add another layer, with surfaces that reveal their complexity through closer looking and repeated use.

My recent work extends this relationship between objects and everyday life through sprig-moulded decoration inspired by digital culture. Internet imagery, symbols and shared visual references move from the screen into clay, giving fleeting images a lasting physical presence. These pieces question what it means to make in a digital age: how the hand, the mould and digital tools shape an object, and where authorship sits when familiar images are borrowed, reworked and made tangible.